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"Allison Gross" (Roud 3212, 35), also known as "Alison Cross", is a traditional folk .Francis James Child, The English and Scottish Popular Ballads, "Allison Gross" It tells the story of "the ugliest in the north country" who tries to persuade a man to become her lover and then punishes him by a transformation.


Synopsis
Allison Gross, a hideous witch, tries to bribe the narrator to be her lover. She combed his hair, first. When a scarlet mantle, a silk shirt with pearls, and a golden cup all fail, she blows on a horn three times, making an oath to make him regret it; she then strikes him with a , him into a wyrm () bound to a tree. His sister Maisry comes to him to comb his hair. One day the comes by, and a queen strokes him three times, turning him back into his proper form.


Motifs
The horn motif is not clear. In "The Laily Worm and the Machrel of the Sea", the witch uses it after the transformation to summon her victim, but nothing appears to stem from it here.Francis James Child, The English and Scottish Popular Ballads, v 1, p 314, Dover Publications, New York 1965

The thwarted supernatural lover – , , , or – taking this form of revenge is a common motif; the tales are generally a variant on Beauty and the Beast, where the victim must live in that form until finding another love, as beautiful as the thwarted lover.Francis James Child, The English and Scottish Popular Ballads, v 1, p 313–14, Dover Publications, New York 1965

The transformation back being performed by the Queen of the Fairies, however, is a unique motif.

This ballad was one of 25 traditional works included in Ballads Weird and Wonderful (1912) and illustrated by the sculptor Vernon Hill.


Written sources and recordings
The ballad was provided by Mrs. Brown (née Anne or Anna Gordon) of , , recorded by her nephew, Robert Eden Scott, in 1783 (or "shortly before"),
(1983). 9789514104589, Suomalainen tiedeakatemia. .
and in the same year it was sent by her father, prof. Thomas Gordon, to with other 14 recorded songs (so-called Tytler-Brown ). For "Allison Gross", no other source has been found. The ballad was first published by Robert Jamieson in his Popular Ballads in 1806.
(1976). 9780394409184, Pantheon Books. .
The Scottish traditional singer sang a version in 1977 which can be heard via the Vaughan Williams Memorial Library website, but unlike most of her songs, it was probably derived from print rather than from her family tradition.

The first sung folk revival recording of Alison Gross was by Dave and on their 1970 album Hearken to the Witches Rune (Trailer LEA 2017), three years before recorded their British folk rock version on their Parcel of Rogues album. The music Steeleye composed for it was substantially more -influenced than most of their more -influenced recordings, and they included a chorus that was not in Child's collection. The Steeleye Span version concludes with its narrator, having rebuffed the advances of Allison Gross numerous times, transformed into "an ugly worm". However, other recordings include the several additional verses chronicle his life after this, including his transformation to his proper form by the queen on . Also known as "Alison Cross", it was recorded by Elspeth Cowie and . The Norwegian folk-rock band produced the song in Norwegian in 1974 on their self-titled album. The Czech folk band recorded this song in Czech in the year 2000. A spoken word version of the ballad was recorded by in 1962 on the Folkways album The Jupiter Book of Ballads (Folkways Records FL9890). recorded her version of "Alison Cross" on her album Neath the Gloaming Star.


See also
  • List of the Child Ballads

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